ROLAND TR-909 BASS DRUM RECORDED THROUGH 13 DISTORTION UNITS from thegearfiend.com

This is something yummy to repost: the TR-909 bassdrum sampled through some distortion units:

I recorded a TR-909 Bass Drum through the following distortion units to compare and contrast the sounds.

1) Dunlop Fuzz Face
2) Electro-Harmonix Metal Muff with Top Boost
3) Maxon OD-9
4) Boss OS-2
5) Boss DS-1
6) Boss DS-2
7) Pro Co RAT
8) Tech 21 VT Bass
9) MXR Bass D.I. +
10) Electro-Harmonix English Muff'n
11) Moog Moogerfooger Lowpass Filter
12) Electro-Harmonix Bass Big Muff Pi
13) Elektron SidStation

I like  this way of sampling because it involves both the Roland TR-909 and some BOSS pedals although I wish the guy had sampled it through 13 distortion units IN A ROW!! :)
Besides this, my favorite distortion comes from the Elektron SidStation: I love the SID background noise in action.

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TR-505 thorough BOSS METAL ZONE samples

I'm glad finally someone replied to my call for material for the blog
Today Dj Quartzlocker sent me these samples he made running a Roland TR-505 thorough a BOSS METAL ZONE pedal

The MT-2 Metal Zone™ is one of BOSS' most popular pedals. This stompbox provides some of the most over-the-top, insane distortion tones in the world—with huge mids and lows and an ultra-saturated sound. 

The 505 works well with a computer and sequencer or as a stand alone drum machine. It is extremely basic and unexciting but does make a good starter or play-along drum machine. Vince Clarke and Aphex Twin has used the 505.

I'm happy of this combo because I used to own both devices but not simultanously so I never had the chance to make any samplekit with them. This also confirms what I said about pedals in the past.

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Delfy Creations hand-made electronic musical contraptions

These guys from the UK develop some really nice hand-made synthesizers and effects.

We have a range of 'Delfy Originals' which we sell all the time, and we also sell one-off items, ranging from original circuits to circuit bent toys and instruments!

The boxes look great with those industrial-like cases and they're quite cheap, altought the SSVC-1 v2, my favorite, costs a little more than the others.

The SSVC-1 v2 consists of two parts, one being a circuit bent voice changer, and the other a squarewave oscillator circuit, using the same circuitry as the Delfy SS-1 with added features like a photoresistor you can use like a theremin!

The SS-1 is also worth checking, being the cheaper and most straightforward in use.

The SS-1 is the most popular of all our creations. It's very hands-on and easy to use, while also capable of a huge variety of squeals and squelches.

I'm sure these little tools are great for Industrial sounds! The guys should really send me one over for a review :)

http://www.delfycreations.com/

Alesis SR-16 through BOSS OVERDRIVE samples

As promised in this post this is the first Industrial samplekit made with the Alesis SR-16 thru a BOSS Turbo Overdrive OD-2r pedal (a classic!)



The noise "problem" of my unit sounds great when distorted and this can be heard clearly on every single hit. The best sounds came out of Toms and Snares.

I sampled the whole instruments list using this great editor:


Enjoy!

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My Thoughts about pedal FXs

Since a very long time I own the pictured pedals and now plan to get a few more to eventually circuit-bend them.



Back in the nineties, during my livesets, I used them to pimp a bit the audio output of my Amiga computer and they worked great, apart from a unbelievable background noise!

I see now a lot of interest about these old-school distortion pedals, BOSS or any other brand. This is maybe for these very strong points:

• They are cheap and sometimes even free, as lot of people get rid of them easily


• They are modular


• They can be Circuit-bent


• They are analog


• There are many of them, of many brands and many different effects


• They sound harsh, very good for industrial music

Plus there are many already circuit-bent units for sell on the net or E-bay.

So my opinion is that this machines will have a new life since they can be described as the analog plug-ins for the future!

Microtonic kickdrum sampled through BOSS pedal

Ok, I admit that after writing the post about pedal FXs I got a bit over-excited! So I decided to put my ones at work...

In 1998 I bought this BOSS PQ-4 Parametric Equalizer from a small shop in Denmark Street, in London. It was already quite rare and definitely expensive.



Back in the days of liveset I used it to process my Roland TR-909.

Today that the mighty drum machine is gone in favor of an analog console I mainly use Microtonic VST to make my kickdrums, so it came quite obvious to me that I had to make a sample kit of those two together!



I've tweaked the stuff @ 100 BPM for 5 minutes, so the kit is quite huge, actually 500 .WAV files.

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