Metallic noises with AKAI S900

Hot nights have become cold and now are slowly fading to freezing. I'm not used to the new season yet so it's too early to compose music. Sampling safaris are the right activity. Like an ant at the beginning of the autumn I am storing new samples to be used during the winter...

Today I spent a nice evening in front of my AKAI S900, a sampler widely known and appreciated for its metallic timbre, dumping via MIDI a few metallic sounds.




Playing them back at different pitches with weird looping points creates some new raw materials.

A good denoising stage was required to remove the sampler background noise and to obtain some usable audio textures that I am going to share.

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The AKAIZER Project

Akaizer v1.7
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|  /  /_\  \|  |/ /\__  \ |  \___   // __ \_  __ \ |
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| \____|__  /__|_ \(____  /__/_____ \\___  >__|    |
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Copyright (c) 2005-2010 Ben Burchett

I discovered this little piece of software thanks to the author, Ben Burchett, who posted about it on a comment on my other blog about AKAI S900



Its aim is quite simple: emulate the time stretch function of old AKAI samplers.

Akaizer is a freeware audio processing tool which can 'time stretch' any 8/16/24/32-bit WAV sound file in the style of the 'cyclic mode' time stretch, which featured on old Akai sound samplers, like the S950 / S1000 / S2000 / S3000 series.
This is ideal for computer-based dance music producers who want that classic metallic-sounding time stretch effect, as used in many old school Jungle / Drum and Bass / Speed Garage tunes from the 1990's, without the need for an actual Akai sampler.

Since it claims to make " that classic metallic-sounding time stretch effect " I immediately tested it by slaughtering some samples out of my JoMoX X-Base 09 kit.
The results are convincing: percussive material gains lot of craziness and I haven't tried with voices yet! Anyone serious in Industrial sound research should give it a try.

Find it for Windows and other platforms here: http://akaizer.blogspot.com/

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Vermona DRM-1 MKII through AKAI S900 samples

All my musician friends, sooner or later, end up by borrowing me some gear. I still don't have understood why this happen but for sure it makes me happy! This time I had a Vermona for about one week from my friend Fede of System Reboot.



As usual my explorations were in the industrial direction. I found the Vermona very interesting for heavy percussions, besides kickdrums, so I decided to sample it through my beloved AKAI S900 to further enhance this attitude.

The brand Vermona also produces other cool stuff, like analog filters and even springs reverb! I'd like that some friend of mine get some of them so that, sooner or later, they end up by borrowing them to me :)

And again, the very best selection from my sampling safaris is shared:

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Timemachine - Vintage sampler Emulator

I'm not new on using an old sampler as a distortion unit so this plugin got my attention when I discovered it.



The sound obviously is totally different as a real old-school sampler really shakes the speakers but if taken as simple distortion unit it can be useful.

At very high gain values it's quite raw convincing, especially on percussive material.

TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion.

Find it here

AKAI S900 as a Granular Synthesizer

The AKAI S900 is a wonderful machine for Industrial Music due to its harsh and powerful sounding 12bit AD-DA converters, so good I even run a BLOG about it!

During the last years I've been using it deeply in my productions and I've being experimenting the weirdest ways to employ it: from a distortion effect unit to a drum module.

Recently I've done an experiment with granular synthesis, small sampled waveforms looped to obtain a continuos sound.



I chopped some waveforms from my Roland SH-09 samplekit and MIDI dumped them into the AKAI S900. Usually I care about samples dimension as the S900 has only 720kB of unexpandable memory but sample waveforms, or "grains", are so small in size there's really no worry.

The waveforms sound quite close to the real SH-09, even when layering together the squarewave + SUBOSC the result is similar. What starts to go crazy is when I hit two different keys, blending two sounds at different pitches: the AKAI poliphony starts to show its limits so the harshness is guaranteed.

Being the SH-09 a typical techno machine the resulting sounds are quite oldschoolish but the screaming effects are of course totally different: here it's the AKAI S900 character showing off.

Of course this kind of experiment can be done with any waveform or with any sampler.

Here's a downloadable archive with the floppy .IMG for the lucky friends that own an AKAI S900 and the waveforms in .WAV format for anyone who wants to experiment with SH-09 waveforms with Kontakt or whatever.

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Drumatic 3 sampled into AKAI S900

Courious to know what happens when you feed this Drumatic 3 VST



into THIS AKAI S900 sampler


??

You get THIS crazy Kontakt Samplekit!

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