An analog filter is a Swiss knife in the studio. It's useful for anything beyond filtering. The best use for me, however, is as distortion and saturation unit.
I've chased the WARP 9 for quite a long time, with the Sherman Filterbank being not exactly affordable I needed a valid alternative, fully MIDI capable.
The Warp 9 is completely 110% MIDI driven. Every single knob and function has its own Continuous Controller assigned and it's also possible to send information with note pitch and velocity. This it's possible to copy the score from a track and have the cutoff or other parameter dancing in sync with it. Not easy to explain, but the results are really interesting!
A Cubase MIDI panel for MAM WARP 9 is also available for free, letting the user manage the device nearly as if it was a VST plugin!
I'm quite loving this piece of hardware, it took a while before I was able to understand it fully but the results I'm getting now are satisfactory. The only disappointment is that it doesn't self-oscillate, so it cannot be used to produce percussions.
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